See, I won’t be going this year. I know. It stinks.
But! There is always next year. Next year, and vicarious living.
Speaking of things I can’t afford right now–tiniest violin, I know— here are some local artisans selling Burn-appropriate attire and accessories. My favorite. You should feel free–nay! feel encouraged–to treat yourself. Then, tell me all about it.
Seriously, though. There are light-up clothes for christssake. It’s Burning Man-designed.
Then there’s Brash Lady Inc. out of Berkeley who’s got the kind of jewelry that others are always grabbing and groping with lust and covet in their eyes.
Millionaire Kream (again out of Bezerkeley) sells these blinged out sunglasses that are almost too cool to bring to BRC and actually too cool not to bring. What? What do you mean that makes no sense? You make no sense. No, you’re stupid. These glasses are stupid!!
I love the far out fashion of the Burn and may have to dress like an extra from the most-stylized, post-apocalyptic, I-dream-of-Utopia movie never made anyway, because between August 30 and September 6 that’s where I would be if I could.
Other requisite wear includes: Kick-ass boots that are easy to hoof it all over and dance in, FUR, more lighty-up stuff for when the sun goes down, more and omnipresent bandanas for their utility and versitality, whatever the hell crazy ass thing you want.
FIN
1. Answer: It’s fucking close to water. (Thanks Heidikins!)
2. Or better yet, send me pictures.
So last week I talked about the other haute couture shows for Fall 2010, and now I get to talk about Dior, the best (in my rarely humble opinion) of the coming season’s line up: John Galliano blows everyone else out of the water with the creativity, execution, breadth and fullness, detail and luxury, and grandeur of this collection. 1
First off, let’s talk about the mood, because florals and brights are ubiquitous here, and that’s just not something you see in Fall very often. If ever. However, beyond the gorgeous open-toed heels, these clothes are strangely season-appropriate. That is, the fabrics are lush and thick and heavy.
But the colors! The bright blossoms! It’s cannily magical and movingly beautiful, like seeing flowers in the snow. Remember when I talked about wearing head to toe gray just to stand out against the crazy color wheel bloom that is Berkeley in spring? This is like that, in reverse, and a million times better.
The styling is incredible, as well, and works with the overall look and mood of the whole show. The make-up is dramatic feminine.
The easter basket cellophane veils are à propos odd but, again, totally work. Do I recommend a DIY? Well, no, I think wrapping one’s head in plastic is generally a bad idea. But styling in a runway show is maybe the only (on person) element where theatricality is allowed to trump wearability completely. According to me.
And can we talk for a second about the gloves? Y’all know how much I am loving the jewel-toned, leather, opera-length gloves. This is just one more fabulous, fantastic iteration. Please, sir, can I have another?
Let it be said, from the get go, that there is no Dior on this list because Dior KICKED IT OUT OF THE PARK this time around.
Everyone else? Kind of ehh, bleh, and really, this is couture? But Dior? Man, oh man. Dior did what couture is meant to do and you should look forward to a post extolling their awesomeness soon.
So yeah, all the other couture showings for fall were, to my mind, a bit of a let down. That is not to say that there were not beautiful, creative looks–because there were–but overall it all seemed rather ready-to-wear and not at all elevated enough for the distinction of haute couture.
These dresses are just run down in alphabetical order by designer. My absolute fave, I think, is Jarrar’s.
As you can see the silhouettes and styling are very upper crust 1970s. This, I dig.
Bouchra Jarrar actually brought out a pretty stellar collection of art deco-reminiscent jackets, dresses, and coats.
Chanel was so-so for me. I don’t know what it is, but Karl is just kind of bugging me lately. I hate the unflattering length on most of these dresses. It’s a cut that does no one any favors. Even the models come off stubby. Also, these sleeves, showing up everywhere in the collection, are awful: similarly unflattering and awkward. I know it’s Chanel and I know he’s La Lagerfeld, but, just, no.
Christian Dior: Again, this was a spectacular show. It’ll be getting it’s own post soon.
Elie Saab showed well, with a long line up of lovely, well-crafted, if unimaginative fancy frocks.
That being said, his looks really were beautiful. I had a hard time picking my favorite.
Jean Paul Gaultier was very true to himself, I felt. Playing up the drama and dramatizing the playful, though there wasn’t much here we hadn’t seen before. The palette was dark, the good old fall back for fall.
More to come soon on the couture shows, including Dior. For now though, I hope that you enjoyed my run down of the best dresses. Thank you and please come again.
In the on-going rivalry between homemade and storebought, homemade wins out nearly every time in my book. Macaroni and cheese? Dude, obviously. I mean, have you had my mac and cheese? It’s fantastic and Kraft is shit. Cookies? Check check homemade. Halloween costumes? Okay. I always wanted the ones from the store but my mom, as usual, was right. They were cheap and always broke before you made it the second block and my brother and I always looked amazing when we went the DIY route.
And I like making/building things with my own two hands. It’s satisfying. And Made By You guarantees One of a Kind. Which is undeniably cool and great and so on.
Here, I’ve put together some easy, no-sew DIY-dress-yourself projects, all culled from unattainably high-end sources.
So look, the Outnet.com prices this Burberry trench at $928 ON SALE. Work the ombre yourself with either dye or bleach, depending on your starting point. Easy peasy. The dress is from Designers Remix and is also on sale but this one goes for EUR 153, which is some higher number in American dollars. I say, if you ever find a lovely silk dress at Goodwill, abandoned there and forlorn because of some unfortunate stain, take it home and splatter wine and/or ink on it. Totally. And instead of spending $600-$1200 on a pair of killer heals, just bling out a cheap(er) pair. You will find both chain and feathers at any craft store anywhere. And don’t overthink it. Hot glue gun. Fun and done. And that clutch? That’s just the awesome.
I am completey annoyed by Marc Jacobs. With few exceptions, what he does for his eponymous lines elicits one of two responses from me: “eh” and “ick.” And this sweater is fine, but for serious, who’s going to pay over $450 for this? You know what else you can get at Micheal’s? Rad, iron-on appliqués for, like, I don’t know, $10 or something. And the breton tee? We’ve already established it’s a ubiquitous basic. Moving on…
I’ve talked about Annie Bacon before. Her O-Shen plays all over town on a pretty regular basis. But she also wrote and performs in The Folk Opera. Tonight (Sunday June 20) this beautiful piece of work will be performed at Amnesia in San Francisco, starting at 6pm. If you can make it, I cannot recommend it highly enough. If you can’t make it (or you’re reading this on Monday, Tuesday, so on), you can still support Ms. Bacon and her operatic endeavor through the Kickstarter Project.
The Folk Opera tells of Elizabeth, a caretaker in her twenties in charge of Aunt Sara, an cantankerous, down-home grande dame afflicted with dementia. Their car breaks down on the way to the mechanic, and in one short afternoon their lives become entangled in those of the small town in which they find themselves. Tragedy mixes with romance, the personalities are clear and true, and the music is gorgeous, moving.
There are four main characters in this tale: Elizabeth, Aunt Sara, the Old Man, and Rita the Waitress. Here I’ve pulled together four vintage-inspired looks for these folks, all culled from Bay Area vendors.
Aunt Sara
Aunt Sara is, as I said, a little off her rocker, but it is clear from the little we know of her life that she is not and was not without bravery and gumption in her life. While it may be said that she led a pedestrian life, in her own small town, with her own tight-knit family, there is no reason, in my mind, why she wouldn’t also be stylish and daring of dress. She was once a very beautiful woman, I suspect. So for these reasons, I’ve chosen bold, balls-to-the-walls pieces for her and tried to throw them together like I imagine a drunk five year old would.
Aunt Sara should also pile on the costume jewelry like it’s going out of style, which, you know, maybe it is. Also, she’s may have Alzheimer’s but even she knows you can’t take it with you, so you might as well rock what you got while you still have it.
I picture her, for some reason, in high top Chuck Taylors. Pink maybe to match this coat.
Aunt Sara can top the coat with some great broaches. Grande olde dames favor broaches. From Sewn in Pieces: To top it all off, I think these pink velvet combs are charming and appropriately quirky. And they're only $8.
Elizabeth
It is unclear, or unimportant, whether Elizabeth is actually related to Aunt Sara or whether she is merely her caretaker. It is very clear, however, that she takes excellent care of the old broad and cares for her very much. I picture her dressing casually and comfortably, particularly for this little dramatic sojourn, though I think she may also borrow liberally from Aunt Sara’s closets. I see no reason why this should be a bad thing. She is only much more simple in construction and compilation than Aunt S. Tone down the jewelry and piled -on prints and you’ll come closer to the truth.
I see her wearing Tom’s loafers, because they are comfortable, cute, and clearly Elizabeth is one who wants to give back.
The Old Man
We eventually learn the identity of the Old Man but it would be wrong to tell you now. Know though, that he’s dapper as can be and suave from years of practice. He is a romantic. I see him in some classic suit, daily, and throwing on great accent pieces.
The funny thing is, Joel Dean Stockdill, who plays the Old Man, already kind of dresses like this. He’s got great style. I tell him so all the time.
Rita the Waitress
So Rita actually owns the diner in questions, the de facto home away from home for the residents of the unnamed small town. She’s got sass and she keeps all the secrets. I also suspicion she keeps all the clothes she and her kids have ever owned. I think she cultivates kooky.
I picture her in jeans, possibly cut offs (though not of course as short as the ones worn by the young lady above). Of course, she wears and apron, and has bic pens stuck in her bun.
I hope I’ve got you intrigued. I cannot recommend the Folk Opera enough. Please donate and help Annie hit her mark, and get a recording made of this amazing, musical, moving experience.
BREDVintage has a mantra: mantra is “Be Resplendent Every Day”. Dress with style, make people smile. Here you can find beautifully made vintage clothing, perfect for crazy women, apparently.
Sewn in Pieces is based in Berkeley and comes courtesy of a long-time fashion lover. She’s got a great eye and wonderful pieces to offer.
SweetRocket99 you’ll find hand picked vintage items from the 40’s to the 80’s. The aesthetic is influenced by everything from bohemian gypsy girl, Brazilian Tropicalia to 40’s pin-up and 80’s glam rock stars.
Triple Gemini has a great selection of vintage clothes from all the big decades. Free shipping on orders over $100.
OutFit is another Berkeley based vendor. Another vintage clothing seller with great taste.
Last but not least, Claridad sells all kinds of amazing little treasures and says she finds her inspiration from all over, especially San Francisco where she is currently based.